Jamie Mac (left) as Benvolio and Zlatomir Moldovanski as Tybalt in Romeo and Juliet. (Photo: Cylla von Tiedemann).

Stratford Festival’s 2017 production of Romeo and Juliet is certainly a refreshing take on this classic, volatile love story.

Designer Christina Poddubiuk’s set is absolutely everything in its simplicity, the stage virtually devoid of props (in fact, half the time it is devoid of props). The breathing room this provides works wonders and allows the subtle lighting and superb choreography to guide the transition between acts seamlessly. Sound designer Verne Good’s understated sound effects are particularly notable, enhancing the mood the way the score in a movie adds drama or suspense.

What of the acting? Stand outs include John Kirkpatrick as the Apothecary, riveting in his short, but important role; Marion Adler as Lady Capulet couldn’t be better; and Randy Hughson as Capulet is gripping – so good, in fact, he causes us to cringe during his intense, violent rages. Wayne Best as Friar Laurence is seriously good, the consistent thread that moves us forward through this volatile environment, while Seana McKenna as the Nurse was also uncharacteristically changed up, far more shrewd and rough around the edges than the character is usually portrayed.

Sarah Farb as Juliet excels at conveying her character’s emotions between the lines, her facial expressions – never overly exaggerated – conveying far more than the words she speaks. She’s particularly moving in the dramatic scenes with Capulet and in her death scene, the classic dagger to the stomach flawlessly executed. And Antoine Yared as Romeo is intense and dramatic, a fireball on stage.

An intense and emotional experience

Stephen Cota’s choreography certainly shines through, the faultless comings and goings of the light-carrying extras (they double as both apparitions and servants) creating an unforgettable ambiance. Together with Louise Guinand’s lighting design – particularly effective during those tragic death scenes – and Poddubiuk’s set, this behind-the-scenes trio have certainly succeeded in creating a production that remains visually absorbing, all the while subtly enhancing the entire intense and emotional experience. (Also worth mentioning are fight director John Stead’s captivating fight scenes, expertly choreographed, realistic and not overly dramatic.)

Director Scott Wentworth has certainly taken a gamble with his bold, modernized take on the characters of Romeo and Juliet. Authentically mirroring the youth of today, he successfully infuses the play with uncharacteristic humour – and the packed house loved it.

For tickets and further information, click here to visit the Stratford Festival website.